#Tc Helicon Voice Support Download And Install

Intelligent harmonies and pitch correction. Studio-quality vocals from a pedal. TC-Helicon VoiceLive Play Vocal Processor Features.

Tc Helicon Voice Support Download And Install

First, youвЂ™ll need to download and install VoiceSupport 2. But does it sound any good?TC-Helicon GO XLR MINI 158 202 TC-Helicon GO XLR 389 13 Boss VE-500 Vocal Performer 359 16 AKAI Professional MPC Live II 1,015 McDSP APB-8 4,199 276 Customer Ratings 5 147 Customers. Built-in looper now with 2x the looping time (requires free firmware update) Practice mode helps you improve your accuracy.Combining pitch-correction, multi-part harmony generation, the ability to change vocal character, and multi-effects processing, TC-Helicon's Voice Pro is a complete vocal production suite inside a single box.

The hardware looks very professional, and all the buttons and knobs have a sturdy feel to them. It ships with a printed reference manual, a power cable, and an AES-EBU two-in/eight-out breakout cable. If your product hasThis new TC-Helicon unit aims to cram into a 2U rack unit practically every vocal production tool currently available: generic processing such as compression, EQ, delay, and reverb sophisticated pitch-correction up to four-part harmony generation and vocal character modelling. Make sure that you read the product manual for settings regarding USB/MIDI controls, if applicable.

TC-Helicon GoXLR USB Audio Driver is a Shareware software in the category.The Utility menu provides access to settings for selecting analogue or digital in/out and configuring MIDI assignments. Home simply returns the display to a basic mode that shows the input and output levels, how the amount of processing varies with time, which processing blocks are operational in the current program, and which parameters are currently assigned to the four Edit knobs.Download Voxal Voice Changer - Apply audio effects and enhance your recordings. To the left of the display are the power switch and the four System buttons: Home, Utility, Help, and Tap.

Photo: Mike CameronTo the right of the display, the controls are organised into a number of groups. Here you can see the stand-alone version, but there is also a version which can operate as a VST plug-in within your sequencer, enabling patches to be stored within each of your projects. As might be expected, Tap is used to set the tempo for use with any of the delay-based effects that the Voice Pro offers.A software editor is available allowing you to edit and archive Voice Pro patches.

The Aux input provides a separate input to just the ВµMod (modulation), Delay, Reverb, and Transducer effects вЂ” useful if you also want to use the Voice Pro as a standard multi-effects processor on a send-return loop. The Voice input is used to feed the unprocessed mono lead vocal into the Voice Pro from your mixer or DAW. The functions of the Preset buttons вЂ” Browser and Store вЂ” are self-explanatory, although browsing the 250 factory or 250 user presets is made considerably easier because the search can be filtered by processing and application type.The rear panel features analogue I/O via four balanced XLRs. The Output controls provide Bypass and Mix buttons, the latter bringing up a useful screen where the levels of the dry vocal, processed lead vocal (called the Virtualead), harmony parts, and effects levels can be adjusted from a single location.

The manual suggests that the Ethernet ports are to be used for implementing software upgrades and that the RS232 port is 'currently not supported'. When using the digital I/O, the outputs can be configured to split the dry lead, Virtualead, and four harmony voices to individual outputs for external mixing.Slightly more odd inclusions on the rear panel are a pair of Ethernet ports and an RS232 port. A standard BNC word-clock input is also present, and digital I/O is provided via AES-EBU on a 25-pin D-Sub connector.

Basic OperationFor the purposes of testing, I hooked up the Voice Pro via its analogue I/O to my mixer and fed the unit with some vocal parts via Cubase SX. The editor can run as a stand-alone application or as an MFX or VST plug-in. A free software editor (produced by Psicraft) is available for as a 13MB download from the TC-Helicon web site.

In a studio context, the latency can, of course, be compensated for by sliding track timings within your sequencer.Photo: Mike CameronAlthough most operations can be carried out using just the Navigate cursor keys and main Select/Scroll wheel, things are made considerably easier by the four Edit knobs, the functions of which are defined by labels on the currently active screen. This seemed to be confirmed in auditioning the Virtualead vocal in isolation, although the differences were only really noticeable on the very lowest-latency setting and on heavily processed sounds. While the manual does not make it explicit, I assume the lower-latency settings are achieved by some compromise on the processing quality. This setting only affects the latency of the Virtualead output (between 15ms and 34ms), whereas the latency of the dry lead and harmony voices stays at 2ms and 34ms respectively regardless.

Under the Multi-FX group are the ВµMod, Delay, and Reverb effects, and these operate as send-return loops within the Voice Pro вЂ” a separate send control is available for the dry lead, Virtualead, and harmony parts to this effects chain. Sound EffectsWhile the Voice Pro's generic effects are not the key selling point of the unit, they are worthy of some comment. Editing the parameters for each block simply requires a combination of the cursor keys and the Soft Knobs and, given the excellent display, it's actually quite speedy. Processing blocks are accessed via the appropriate button (Harmony, Multi-FX, Pitch, or Character, for example) and pressing the OK button will toggle a block on and off. However, even with only a little experimentation the process soon becomes familiar, and the unit is by no means difficult to use.

The Dynamics block, which provides compression, limiting, and de-essing, and the EQ block are equally well specified. For example, the reverbs вЂ” which I suspect borrow heavily from parent company TC Electronic's other processors вЂ” are very nice indeed. Photo: Mike CameronThe Delay and Reverb blocks both offer flexibility and, to my ears at least, very good audio quality. Each of the other generic effects has a similar degree of editing, so you can see that this is a serious multi-effects processor.This screen shows the settings for the automatic pitch-correction algorithm. There is plenty of user control on the effects, with over a dozen editable parameters for those people that like to tweak.

The scale-based automatic mode is, in essence, similar to the automatic mode of Auto-Tune. Pitch-Correction & Harmony GenerationThree modes of pitch-correction are provided by the Voice Pro. Here, you can simulate the sound of the voice being passed through a radio, a megaphone, a telephone, and various amplifiers, and there are some additional sound-mangling options, including a nice tube emulation that is capable of adding just a little warmth. A further low-cut filter is provided with presets to roll off below 60, 80, or 120Hz.The Transducer section provides a range of more specialised effects. The EQ block has low and high shelving filters with variable frequency, and two fully parametric mid-bands. The display also includes a graphic showing the amount of gain reduction.

This can be used to fix the occasional note that lies outside the specified scale. Any MIDI note played will become the target note until released. That said, if you do want to abuse the pitch-correction for creative effect, then there's plenty of scope to do that.The second mode of pitch-correction also uses scale-based automatic adjustment, but allows the user to override this on a temporary basis via MIDI. Provided that you do not expect it to rescue a very poor singer, the results are transparent and comparable to those obtained with Auto-Tune. As with Auto-Tune, custom scales can be defined if required.